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Back in the present, Akira is sent on a trial basis to make a documentary on Samar, the man who cannot die. As he recovers, she goes out of his life. Meera, feeling guilty for the accident, prays to Jesus that if Samar survives, she would give him up. After one of their romantic meetings, Samar has an accident. They fall in love even though she is engaged. There, Samar met Meera (Katraina Kaif), a girl from a rich family with unwavering faith in Jesus. She reads about his love story ten years earlier when he did odd jobs, and sang on the streets of London. He saves a young aspiring documentary filmmaker for Discovery Channel, Akira (Anushka Sharma), when she plunges into ice cold water as a dare and gives her his coat in which she finds his diary.
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He is unafraid of death and detonates bombs even without putting on protective gear. Major Samar Anand (Shah Rukh Khan) is a bomb diffuser in the Indian army in Leh. Her breakdown sequence on the bench is plain embarrassing. This is one film where her acting deficiencies are solidly exposed and even that smile can’t save her. The fact that Katrina can’t act makes things even worse. In fact, Meera’s character is extremely weakly sketched out and even the adventurous (gali ki gundi) side to her is never utilised properly. The film appears archaic and caught in a time warp in many places and the reason for Meera backing out of the relationship makes her look silly rather than us feeling for her spiritual side and her unwavering faith in ‘Sir Jesus’, at the church that seems to have only the two of them at all times. It is the weakest element of the film and is plain boring with its main conflict totally unconvincing. This should have been the soul of the film but it simply fails to touch you. The biggest problem with Jab Tak Hai Jaan, which tells us how true love can defeat even (son of) God, is the central love story of Samar and Meera. Sure, there’s the A1 mounting with stunning locales, there’s the strong cast and brilliant technical crew with money spent on the production like water but ultimately the weak and (highly) illogical storytelling lets the film down ending in a 179 minutes dreary experience that just seems to go on and on and on and… But try as one might, one can’t help but feel that Jab Tak Hai Jaan (JTHJ) is nowhere the epic love ballad that Yashji wanted it to be. One so wants to applaud Yash Chopra’s swan-song for all that he’s given to Hindi cinema down the years.